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I was watching the last season of Angel on DVD recently. In
a pivotal (but aren't they all?) episode called A Hole In The
World, Angel and Spike jet off to England in search of a cure for
Fred. Which I realize means nothing to you if you aren't a fan. But
bear with me for a moment. And keep in mind that Angel and Spike are
both vampires who are now forces for good. Oh, and that Fred's a
girl, not that it matters for this discussion.
Anyway, Spike suggests that as long as they'll be in the neighborhood,
they should take in a show after they save Fred.
Angel: "I've never seen Lez Miz."
Spike: "Trust me; halfway through the first act
you'll be drinking humans again."
He has a point. Les Misérables hardly shows humanity
at our best. On the other hand, of the theatrical blockbusters, it's
the one that marries music, spectacle and story best. It has the
musical power of Phantom of the Opera, the emotion of
Miss Saigon, and some pretty kick-ass staging of its own.
One complaint about both Les Miz and Phantom is that
a lot of the songs repeat each other. That works a lot better on the
stage than it does listening in the car. But it's much less of an
issue with a highlights album like this. And at a little under an
hour, it's not the endurance test we theatergoers remember with
anguish. Maybe we're the misérables they're talking
about.
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