As much as PBS disappoints me with its current events coverage,
attempting to dispell the aura of a nonexistent liberal bias with the
bend-over-backwards balance of The News Hour and the
conservative excesses (in both tone and volume) of people like John
McLaughlin, I do appreciate their attempts at cultural programming.
Where else, for example, is a modern audience going to be exposed to
as wide a range of music? MTV?
A PBS series on the history of musicals is a natural for the network,
especially whenever pledge drive time rolls around. It's educational,
colorful and entertaining. And for those of us who love the
simplicity and unreality of a live stage performance in this world of
CGI, it's a reminder that storytelling can be effective and evocative
even when it isn't accompanied by technological excess.
Most of the musicals represented on this album are classics, the
performances dating back to the shows' earliest presentations. Al
Jolson sings
Swanee
from 1920; Paul Robeson does
Ol'
Man River in 1932. These are the definition of
classics, which makes the inclusion of Idina Menzel and
Kristen Chenoweth's
Defying
Gravity from the regrettable
Wicked
an amusing contrast.
I love musicals. I especially love modern musicals; they speak to me
in a way the classics can't quite manage. But they're well worth
learning about, both to know where we came from and because a great
performance is great forever.
|
|