A Magnificent Delusion
That wait ended yesterday afternoon. Souvenir is a somewhat faithful retelling of the musical career of one Florence Foster Jenkins, a wealthy early 20th century matron who somehow got it into her head that she could sing. Opera. And who had the money and the society friends to indulge her fantasy, which went from annual performances at the Ritz to one grand finale at Carnegie Hall. A few of Mrs. Jenkins' arias were captured on record, and are available on CD. As for the play, it might be called a musical, but only if you are being kind.
But what I find fascinating about Mrs. Jenkins, at least in this dramatic version of her, is that she was a triumph of confidence and determination and pure enthusiasm over anything resembling talent. She was a joke, one the audience loved, but it's unclear she was in on the joke. And that's what makes me wonder: is it better to know your strengths and your limitations if it keeps you from doing something you love? Or is it better to be deluded, and to take joy in the activity for which you are supremely unqualified. At a younger age I was certain I knew the answer; now I'm not at all sure. No, I lie; I am becoming more and more certain that the doing, and the pleasure to be derived therein, are far more important than actual competence. And if people laugh at you, well, maybe they aren't the ones getting the real joke.
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